“La Nuova Musica….as lively a collection of instrumentalists and singers as the world offers”
The Times, March 2012
La Nuova Musica is a Baroque ensemble based in London, whose chief desire is to bring the highest standard of musical performance of 17th and 18th century repertoire for the benefit of as wide an audience as possible.
Far from being dead and remote, the music and texts of the Baroque help us in the 21st century to ponder the concerns of human nature in an emotionally truthful way. Coming to us from an age before technical means of communication and enhancement of sound were available, the music’s impact is colourful, sophisticated and visceral.
The energy that the Baroque demands of its performers, is LNM’s most potent tool in striving to move audiences. LNM’s repertoire reflects the chief forms of the period – opera and choral. LNM’s work covers concerts, performance of opera, (either fully or semi-staged), and recording projects in collaboration with the world’s foremost ‘period performance practice’ recording company – harmonia mundi USA.
LNM often hosts pre and post concert conversations with our audiences, open rehearsals, and mounts masterclasses with established opera singers and work with recent graduates from Music Conservatories all over Europe.
We call upon the finest international operatic singers, instrumentalists, and choral singers, with a particular desire to pit experienced musicians along side the latest generation of musicians. Both parties learn from each other and create an electric atmosphere in the rehearsal room. This energy always translates to the concert platform, creating performances of real depth, detail and vivacity.
“Thanks to the inspired direction of David Bates, this was to be music-making of an undogmatic, long-pondered intelligence, generously yet undistractingly ornamented, and with the small band minutely sensitive to its interplay with the human voice.”
The Times, December 2011
La Nuova Musica was founded by its artistic director David Bates in 2007 whilst in residency at Snape Maltings and was hailed by BBC Radio 3 as “one of the most exciting consorts in the early music field”. They received the classical nomination at the 2012 South Bank Sky Arts/The Times Breakthrough Awards.
In addition to performances in Austria, Italy and Germany, they are regular contributors at Aldeburgh Music, St John’s Smith Square, London Handel Festival, Wigmore Hall and Spitalfields Music.
Highlights of 2015 were concerts in Perugia, Handel’s Israel In Egypt in Salisbury Cathedral and a performance of Acis and Galatea at SJSS which received a 5* review in The Times, describing it as “a reading that sparkled from the giddy overture to the consoling final chorus.”
2015 culminated in two concerts at Wigmore Hall. The first, with internationally renowned counter tenor Bejun Mehta, was hailed by the press as “a wonderfully democratic evening of music making on the highest level”. It was followed by “the hottest ticket in town”, a concert performance of Cesti’s Orontea, where “Bates’ conducting had superb poise, and the cast was impeccable, with not a weak link anywhere” (The Guardian).
2016 sees the release of a new disc for harmonia mundi USA of Couperin’s Leçons De Ténèbres with Lucy Crowe and Elizabeth Watts and a new recording of Pergolesi Stabat Mater and Bach BWV 54:Vergnügte Ruh’, beliebte Seelenlust & 170: Widerstehe doch der Sünde, with Lucy Crowe and Tim Mead.
Concert performances highlights for 2016 include Handel’s Berenice at the Göttingen Internationale Händel Festspiele , their debut at the Salzburg Festival with Bejun Mehta and an exciting collaboration with American choreographer Zack Winokur on Purcell’s Dido and Aeneas at the Brighton International Festival, with Dame Ann Murray singing the title role.