Reviews of Spitalfields Music Concert

House of Monteverdi

02/12/17

 

Tim Ashley for The Guardian 4****

“Under David Bates, La Nuova Musica played with admirable dexterity and tangible enjoyment, and the solo singing was often superb.”
read the full review……

Ivan Hewett for The Telegraph 4****

“The shouts of “War, war!” – “Guerra, Guerra!” – in his madrigal Or che’ Ciel e la terra, flung out by the singers of the Erebus Ensemble, backed up by the furious strumming of lutes and excited violin roulades from La Nuova Musica, made it clear Monteverdi thought war was rather exciting. As for the “amorous” madrigals, they seethed with erotic passion tinged with despair, a combination beautifully caught by soprano Katherine Manley in Si dolce’l tormento.”
read the full review……

Geoff Brown for The Times 3***

“These songs of love and war were punched out with fiery eloquence by the heavenly voices of Tom Williams’s Erebus Ensemble, the soloists Katherine Manley and Ben Johnson, and the instrumentalists of La Nuova Musica, directed by the scooping arms and encouraging grins of David Bates. Manley’s high-voltage soprano was an unstoppable force in Lamento della ninfa and the epic Il combattimento”
read the full review……

4 star Review in The Telegraph for House of Monteverdi

The Spitalfields Festival offers a lavish tribute to Claudio Monteverdi:

“The shouts of “War, war!” – “Guerra, Guerra!” – in his madrigal Or che’ Ciel e la terra, flung out by the singers of the Erebus Ensemble, backed up by the furious strumming of lutes and excited violin roulades from La Nuova Musica, made it clear Monteverdi thought war was rather exciting. As for the “amorous” madrigals, they seethed with erotic passion tinged with despair, a combination beautifully caught by soprano Katherine Manley in Si dolce’l tormento”

……read the full review

SJSS Mozart Review

“Crowe’s own movements continued the perfection: the ‘Kyrie’ was appropriately plaintive, with the chest-voice in full-on velvet mode, and her liquid delivery of ‘Et incarnatus’ (whose flute, oboe and bassoon obbligato lines were delivered with perfect synergy and sensitivity, the baroque instruments making an unusual and enjoyable change in timbre) was very special indeed.”

Mary Bevan Sings Laudamus Te

Listen to Mary Bevan singing Laudamus Te (Mozart Mass in C Minor) during the rehearsal for our recent concert at St John’s Smith Square.

This video was first shared on Classic FM.

Monteverdi Concert At Spitalfields In December 2017

2nd December 2017 @ 17:00

We are delighted to announce that we are taking part in Spitalfields House of Monteverdi Marathon with Erebus Ensemble. The highlight will be the operatic Scena, Il Combattimento to be sung by Ben Johnson.
The venue is St Leonard’s Church, Shoreditch High Street, London

[Read more…]

2017-18 Season Preview

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5 Star Review For Il Duello Amoroso

Our London Handel Festival concert Il Duello Amoroso received a 5••••• review in the Independant newspaper.

Rare stuff from the seemingly inexhaustible treasure-house of forgotten Baroque music

Presenting Handel’s music in a London church in which the composer himself used to sit, with singers backed by a band of a sort he had specified, the London Handel Society’s last concert in St George’s Church, Hanover Square, proved a delight.

This time it was vocal duets by soprano Louise Alder and mezzo Emilie Renard with La Nuova Musica, under David Bates’s direction; also including a duet by Handel’s predecessor Agostino Steffani, this was for the most part rare stuff from the seemingly inexhaustible treasure-house of forgotten Baroque music.

……read the full review

Reviews for 31st Christmas Festival at SJSS

Here are the reviews from our Concert at the 31st Christmas Festival at St John’s Smith Square:

Bach – Nun komm, der Heiden Heiland BWV62
Bach – Jauchzet Gott in allen Landen BWV51
Mozart – Exsultate Jubilate K165
Haydn – Missa Sancti Nicolai

Lucy Crowe – soprano
David Blackadder – trumpet

Ruth Hansford for Planet Hugill

Baroque and classical delights ★★★★

“Bach cantatas, Haydn’s St Nicholas Mass and a Mozart soprano showpiece in this delightful Christmas programme. David Peter Bates and La Nuova Musica provided us with four Christmas (or Christmassy) treats on 19 December 2016 as their contribution to the 31st Christmas Festival that runs for most of December at St John’s Smith Square. [Read more…]

The Critics Loved La Calisto At Wigmore Hall

bear

Here are a selection of highlights from the reviews:

“The singing was suave, wordy and quick-witted from the goddesses to the sidekicks Mercurio (James Newby) and Silvano (Edward Grint), and Mead’s noble shepherd, while the pathos and comedy in Calisto’s erotic downfall were exquisitely balanced by Crowe. After this and their delectable Acis and Galatea, how long before La Nuova Musica get the theatre run they deserve?”

Anna Picard – The Times ****

“David Bates and La Nuova Musica gave themselves an extra challenge when performing the work at the Wigmore Hall on Monday 28 November 2016, as it was being given in a concert performance, though in fact the group’s lively and imaginative approach to ‘staging’ and keen attention to musicality meant the performance really took wing…..At the centre of everything was Lucy Crowe’s wonderful Calisto, growing from wonder to love to disillusion. Crowe’s highly plangent voice brought great beauty to the arias which Cavalli gives his heroine, yet her demeanour and performance gave the music great intensity too. This was a highly concentrated performance, the still centre of a web of chaos [Read more…]

A Great Performance, A Wonderful Evening

Here are two reviews from our performance at this year’s Salzburger Festspiele with Bejun Mehta.

Bejun Mehta Cantata Recital

LaNuovaMusica_Salzburg_C_MichaelPoehn

Hüpfen, springen, totentanzen

“Lamentiert wird in der Barockmusik nicht wenig: zum Beispiel aus Liebeskummer. Aber wenn’s ans Sterben ging, gab man sich fröhlich – in der Gewissheit auf eine bessere Welt. Am Mittwoch lamentierte und frohlockte bei den Salzburger Festspielen Countertenor Bejun Mehta bei einem Kantaten-Programm. “Ich freue mich auf meinen Tod” – ein fröhliches Tändeln im Sechsachteltakt hat sich Bach in der Kantate “Ich habe genug” für die heute befremdlich anmutende Einstellung zum Lebensende ausgedacht. Mehta hat das so gefasst, dass man es so auf einen Nenner bringen könnte: hüpfen, springen, totentanzen. [Read more…]