New CD Release of Pergolesi Stabat Mater and Bach Cantatas BWV 54 & 170

Our new CD of Pergolesi  Stabat Mater and Bach Cantatas BWV 54 & 170 is released on harmonia mundi today. LNM favourites Soprano Lucy Crowe and Counter Tenor Tim Mead are the soloists and of course David Bates is the Artistic Director.

To purchase the CD please click here or on the CD image.

Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with Pergolesi’s Stabat Mater of 1736, the eighteenth century’s favourite sacred work. The gap between the austere Lutheran piety and searing Mediterranean emotionalism might seem unbridgeable. Yet Bach so admired the composition of his Neopolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Muova Musica and it’s two eminent soloists display equal mastery of both idioms.

If you need any more gentle persuasion, here are two videos filmed by Fly On The Wall during recording sessions at All Saints East Finchley in London.

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Martin Randall Travel Music Festival

logo-martin-randallLNM have just spent an enjoyable and successful week in Suffolk performing three very different programmes of music for Martin Randall Travel.

The first performance on the 13th May was our second performance this year of Purcell’s Dido and Aeneas and we welcomed back Dame Ann Murray, suitably majestic in the title role. Unlike our May performance at the Brighton Festival, we didn’t have our two dancers with us this time, but the music certainly spoke for itself in the intimate setting of the Theatre Royal at Bury St Edmunds. The Theatre Royal’s designer, William Wilkins (1778-1839), was an architect of national repute responsible for, amongst other buildings, the National Gallery in London and Downing College, Cambridge. He opened the Theatre on 11 October 1819.

Melford-Hall

On Tuesday we performed two performances of Blow’s Venus and Adonis in the beautiful National Trust property Melford Hall. Sophie Junker and Benjamin Appl sang the title roles.
Our final venue was the intimate Church of Holy Trinity in Long Melford for a programme of choral music including Schütz’ Musikalische Exequien and Henry Purcell’s Music for the Funeral of Queen Mary. (more…)

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