Reviews of Handel Orlando concert

Handel Orlando

St John’s Smith Square

01/02/18

 

Geoff Brown for The Times 4****

“Still, there’s one way to bring sense to Orlando, one of the baroque period’s numerous dips into the bran tub of Ariosto’s epic poem Orlando Furioso. You do it in concert. You secure the impassioned countertenor Lawrence Zazzo for the title role. Lucy Crowe, lustrously powerful, signs on as the princess, Angelica. Bright talent fills out the cast and David Bates’s La Nuova Musica fiddle, blow and tinkle with their usual pristine panache.”
read the full review…… 

Sam Smith for MusicOMH.com 5*****

“The orchestra, conducted by its artistic director David Bates, played with a shimmering refinement that enabled lines to be delineated clearly without the output ever feeling anaemic. The balance, sensitivity and attention to detail were frequently staggering, and the various solo instruments cut through the air with spellbinding precision.”
read the full review……

Robert Hugill for Planet Hugill  5*****

“David Bates directed a finely crafted performance from La Nuova Musica with many individual players contributing fine solo moments in addition to the wonderfully engaged sense of communal spirit.”
read the full review……

Nahoko Gotoh for Bachtrack 4****

“The orchestra, directed from the harpsichord by Bates, played with incisiveness, precision and disciplined ensemble. […] it was gratifying to see St John’s Smith Square packed with enthusiastic fans and supporters who seemed to enjoy it as much as I did.”
read the full review……

Alexandra Coghlan for The Arts Desk

“There’s a flamboyance and excess to period band La Nuova Musica’s style that’s all their own. Director David Bates favours broad dynamic contrasts, extrovert musical drama and lashings of ornamentation.”
read the full review……

Reviews of Spitalfields Music Concert

House of Monteverdi

02/12/17

 

Tim Ashley for The Guardian 4****

“Under David Bates, La Nuova Musica played with admirable dexterity and tangible enjoyment, and the solo singing was often superb.”
read the full review……

Ivan Hewett for The Telegraph 4****

“The shouts of “War, war!” – “Guerra, Guerra!” – in his madrigal Or che’ Ciel e la terra, flung out by the singers of the Erebus Ensemble, backed up by the furious strumming of lutes and excited violin roulades from La Nuova Musica, made it clear Monteverdi thought war was rather exciting. As for the “amorous” madrigals, they seethed with erotic passion tinged with despair, a combination beautifully caught by soprano Katherine Manley in Si dolce’l tormento.”
read the full review……

Geoff Brown for The Times 3***

“These songs of love and war were punched out with fiery eloquence by the heavenly voices of Tom Williams’s Erebus Ensemble, the soloists Katherine Manley and Ben Johnson, and the instrumentalists of La Nuova Musica, directed by the scooping arms and encouraging grins of David Bates. Manley’s high-voltage soprano was an unstoppable force in Lamento della ninfa and the epic Il combattimento”
read the full review……

4 star Review in The Telegraph for House of Monteverdi

The Spitalfields Festival offers a lavish tribute to Claudio Monteverdi:

“The shouts of “War, war!” – “Guerra, Guerra!” – in his madrigal Or che’ Ciel e la terra, flung out by the singers of the Erebus Ensemble, backed up by the furious strumming of lutes and excited violin roulades from La Nuova Musica, made it clear Monteverdi thought war was rather exciting. As for the “amorous” madrigals, they seethed with erotic passion tinged with despair, a combination beautifully caught by soprano Katherine Manley in Si dolce’l tormento”

……read the full review

SJSS Mozart Review

“Crowe’s own movements continued the perfection: the ‘Kyrie’ was appropriately plaintive, with the chest-voice in full-on velvet mode, and her liquid delivery of ‘Et incarnatus’ (whose flute, oboe and bassoon obbligato lines were delivered with perfect synergy and sensitivity, the baroque instruments making an unusual and enjoyable change in timbre) was very special indeed.”

Mary Bevan Sings Laudamus Te

Listen to Mary Bevan singing Laudamus Te (Mozart Mass in C Minor) during the rehearsal for our recent concert at St John’s Smith Square.

This video was first shared on Classic FM.

Handel Opera in 2018

We are very happy to announce that La Nuova Musica will present Handel’s Orlando at SJSS on 1st February 2018.

Monteverdi Concert At Spitalfields In December 2017

2nd December 2017 @ 17:00

We are delighted to announce that we are taking part in Spitalfields House of Monteverdi Marathon with Erebus Ensemble. The highlight will be the operatic Scena, Il Combattimento to be sung by Ben Johnson.
The venue is St Leonard’s Church, Shoreditch High Street, London

[Read more…]

2017-18 Season Preview

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Gramophone Magazine – Best new Classical Albums for June 2017

We were pleased to be chosen as one of the “Best new Classical Albums for June 2017” in Gramophone Magazine.
Here are a selection of further foreign language and online reviews:

Alexandra Coghlan for Gramophone Magazine

“Anyone longing for a bit more moderation – a performance embracing both the rose and the yew tree in this exquisite Latin hymn – should find plenty to console in this thrilling new recording from La Nuova Musica.
In Lucy Crowe and Tim Mead the ensemble have both period specialists and singers with enough muscle and tone to temper stylistic precision with human drama….. Speeds tend to the swift, banishing any thoughts of sentimentality from a performance as sophisticated emotionally as it is musically.”
read the whole review……

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Sunday Times Album Of The Week

“A superb disc of baroque vocal music”

This is how Hugh Canning describes our new Pergolesi and Bach CD in his review in the Sunday Times.

It was also “Album Of The Week”

“Lucy Crowe and Tim Mead withstand comparison with the finest on disc. Their voices blend ideally in the duets, and their stylish phrasing in the arias is especially rewarding here. Crowe’s runs and trills delight in her jaunty Inflammatus, while the emotional crux of the work, the alto’s Fac ut portem, is sublimely phrased by Mead, easily a match for David Daniels and Andreas Scholl in earlier versions……

Click here to read more.