A Great Performance, A Wonderful Evening

Here are two reviews from our performance at this year’s Salzburger Festspiele with Bejun Mehta.

Bejun Mehta Cantata Recital

LaNuovaMusica_Salzburg_C_MichaelPoehn

Hüpfen, springen, totentanzen

“Lamentiert wird in der Barockmusik nicht wenig: zum Beispiel aus Liebeskummer. Aber wenn’s ans Sterben ging, gab man sich fröhlich – in der Gewissheit auf eine bessere Welt. Am Mittwoch lamentierte und frohlockte bei den Salzburger Festspielen Countertenor Bejun Mehta bei einem Kantaten-Programm. “Ich freue mich auf meinen Tod” – ein fröhliches Tändeln im Sechsachteltakt hat sich Bach in der Kantate “Ich habe genug” für die heute befremdlich anmutende Einstellung zum Lebensende ausgedacht. Mehta hat das so gefasst, dass man es so auf einen Nenner bringen könnte: hüpfen, springen, totentanzen. [Read more…]

Praise for Our Bejun Mehta Recital At The Wigmore Hall

Bejun Mehta Rehearsal credit Nick Rutter

Photo by Nick Rutter

LNM joined forces with American Counter Tenor Bejun Mehta for a memorable concert at the Wigmore Hall on Monday. The Critics not only admired Bejun’s assured singing but also praised the playing of our instrumental soloists:

“At the same time, Mehta’s piping pirouettes, dulcet in the pianissimo mode but with a metal edge when the volume is increased, faced stiff competition in beauty and fire from his accompanying musicians, David Bates’ La Nuova Musica.
For all Mehta’s art during Alessandro Scarlatti’s Perchè tacete, especially in it’s lullaby aria, it was the instrumental spectacle that grabbed me. Two violins chased each other’s tails; harmonies lived dangerously. Everyone too, here and throughout, played with such rich tone and gusto. Listening to Biber’s third suite from his collection Mensa Sonora was like eating Christmas Pudding.”

Geoff Brown *** The Times

“The Italian solo cantata, and the ways in which it was taken up and adapted in Germany and Britain in the late 17th and early 18th centuries, provided the substance of countertenor Bejun Mehta’s recital with the ensemble La Nuova Musica. But despite its apparently didactic theme, the evening never threatened to become a dry lesson in baroque musicology; Mehta is far too relaxed and compelling a performer ever to seem remotely academic……..it was a wonderfully democratic evening of music making on the highest level……read more

Andrew Clements – The Guardian

Join us again at the Wigmore Hall to experience Cesti’s L’Orontea with a stellar cast including Anna Stéphany, Mary Bevan and Jonathan McGovern. Click here to book tickets