The Critics Loved La Calisto At Wigmore Hall

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Here are a selection of highlights from the reviews:

“The singing was suave, wordy and quick-witted from the goddesses to the sidekicks Mercurio (James Newby) and Silvano (Edward Grint), and Mead’s noble shepherd, while the pathos and comedy in Calisto’s erotic downfall were exquisitely balanced by Crowe. After this and their delectable Acis and Galatea, how long before La Nuova Musica get the theatre run they deserve?”

Anna Picard – The Times ****

“David Bates and La Nuova Musica gave themselves an extra challenge when performing the work at the Wigmore Hall on Monday 28 November 2016, as it was being given in a concert performance, though in fact the group’s lively and imaginative approach to ‘staging’ and keen attention to musicality meant the performance really took wing…..At the centre of everything was Lucy Crowe’s wonderful Calisto, growing from wonder to love to disillusion. Crowe’s highly plangent voice brought great beauty to the arias which Cavalli gives his heroine, yet her demeanour and performance gave the music great intensity too. This was a highly concentrated performance, the still centre of a web of chaos (more…)

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Hottest Ticket In Town – The Critics Loved Orontea

Here are the reviews for our Wigmore Hall performance of Cesti’s Orontea on December 14th:

David_Bates_Wigmore_credit_NickRutter.co.uk_squareCharm and invention brought buoyantly to life ****

Rupert Christiansen – The Telegraph

This was a highly enjoyable concert performance of Cesti’s baroque opera

A few weeks ago at Shakespeare’s Globe, I felt I had been locked into some terminal limbo of tedium. Clever men describe Luigi Rossi’s Orfeo as a “masterpiece” of the Italian baroque, written during the 1640s, but it seemed to ignorant me nothing more than a stock romance with some irritating comic characters, clothed in insipid and monochrome music.

Everyone else loved it, however – so I thought, well, perhaps the idiom is just not my cup of musical tea. But here at the Wigmore Hall was another opera of the same school, composed contemporaneously within the same framework, which I found much more palatable……..

……..Anna Stéphany and Jonathan McGovern sang lustrously and stylishly as Orontea and Alidoro, their regal intensity contrasting with the lighter brighter tone of Mary Bevan and Michal Czerniawski representing the lower social orders. (more…)

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